with Graham and Nathalie
For those of you not familiar with the traditional tango way of doing things, tandas are groups of tracks played together that share a common rhythmic structure, orchestra, or style. It is usual for people to dance together for the duration of a tanda, then swap partners at the end of the tanda which is signified by a 'cortina' (curtain) of so-called "undanceable" music. This is the way that most traditional milongas are organised and the only way that a lot of tango dancers have ever experienced tango. At milongas that follow the rules of tango to the letter, you are supposed to only dance with someone for one tanda per event or else you may be considered to be a fixed couple, and breaking a tanda in the middle to dance with someone else is out of the question. But there is another way of [read more...]
With all the #neotango and #tangounderground branding that we are posting these days, a question I keep getting asked is "What is Neotango, and how different is it to traditional tango?" It's a fair question, given that we are trying to encourage people to make the move from traditional events and join us at a neolonga as for all they know it might be as different as salsa or LeRoc to what they know as 'tango'. Have we changed it in any way? Is it a modern version of the dance that had been 'fused' with another style to create something different? Will they even know how to do it? The first and most important thing to get across to people new to Neotango is that it is exactly the same dance as they would learn at even the most traditional of classes. It follows all the same rules, [read more...]
As most people probably know by now, when I started teaching tango at Jivebeat it was almost entirely by accident. A random decision to give the regulars at Sevenoaks a tango taster class one evening (you can read about that here ) soon became a regular feature, and pretty soon more people were finding us because of the tango than were finding us for modern jive. This was not a problem for us as we love teaching both, but after a few months we started to realise that people were being confused by the name. Tango at Jivebeat...? Is it really tango? Is it "modern jive in a tango style"? How can modern jive and tango be even slightly compatible? We hadn't thought of this, as since we knew what we were doing we just assumed everyone else would as well. Jive and tango are two separate classes [read more...]
It has been a long while coming, but we have finally announced our first X-Tango Alternative Milonga, and it's going to be on the 23rd March 2018 in Sevenoaks, in place of our usual weekly class. But what do we mean by X-Tango ? What is the difference between that and regular Argentine Tango? And why are we calling the milonga alternative ? The Argentine Tango we dance and teach at Jivebeat is the same Argentine Tango that you will find anywhere else. Yes, if you come to our class you may find that we put the emphasis in different places to where you might expect, and just like everyone else who teaches tango we have developed our own teaching style. But the dance itself is the same dance you will learn in Buenos Aires, Brighton, Bromley, or Bangalore, no matter how traditional or nuevo (modern) your class [read more...]
Whenever you think about dance, you think of footwork. There are basic steps that define the character of every type of dance, from the simple â€œstep back, then inâ€ of LeRoc, to the â€œforward, side, togetherâ€ of waltz or the â€œone, two, three-and-fourâ€ of latin. The steps are the first stage in learning a new dance. You begin by learning the timing and how to position your feet in the correct places, then when youâ€™ve got the hang of that you start to concentrate on where to put your body to improve balance, posture, and styling and make the dance begin to flow. But Argentine Tango doesnâ€™t have any of that. It is that strangest of things, a dance without steps. When you first start to learn the tango the temptation is to follow the steps that the teacher is doing and try to copy the way his or [read more...]
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